Our friends at the Working Group Youth of the European Music Council have developed, through consultation across Europe with young people involved in music, the MANIFESTO FOR YOUTH AND MUSIC IN EUROPE.
Take a look, and if you would like to support it, add your name to the online list of supporters!
Congratulations to the WGY, who have worked so hard to get this Manifesto together!
Wednesday 23 November 2011
Monday 5 September 2011
Last Call for registrations
4th IMC World Forum on Music. Music and Social Change
26 September to 1 October 2011, Tallinn, Estonia
Join the 4th IMC World Forum on Music in Tallinn, Estonia, taking place from 26 – 30 September 2011.
For your participation in the WFM 2011, please register online at www.worldforumonmusic.org.
Deadline for registration: 20 September 2011.
See you in Tallinn!
26 September to 1 October 2011, Tallinn, Estonia
Join the 4th IMC World Forum on Music in Tallinn, Estonia, taking place from 26 – 30 September 2011.
For your participation in the WFM 2011, please register online at www.worldforumonmusic.org.
Deadline for registration: 20 September 2011.
See you in Tallinn!
Wednesday 4 May 2011
IMC Conference on Music and Social Change
We recommend you keep these dates free, this promises to be a very interesting conference. Hope to see you there!
http://www.imc-cim.org/index.php?option=com_content&task=view&id=364&Itemid=2
The International Music Council (IMC) invites you to attend its 4th IMC World Forum on Music and 34th General Assembly to be held in Tallinn, Estonia, September 26 - October 1, 2011 under the title “Music and Social Change”. It will be co-organised by the European and Estonian Music Councils in collaboration with the Estonian Academy for Music and Theatre.
IMC presents its World Forum on Music (WFM) as a global knowledge-building platform on music and society in the 21st century, which explores a variety of topics from diverse perspectives: cultural, political and economical. The IMC World Forum on Music is considered one of IMC’s main contributions to setting the stage for the free celebration of music in the world.
The 2011 World Forum on Music will focus on five areas which IMC and EMC considers being of crucial importance to the world of music:
• Music as a tool for social change
• Current challenges and opportunities for music education
• Music distribution and export
• Music and development
• Youth: informal spaces
By seeking synergies across different sectors, this high-level forum will provide exceptional opportunities for scholars, government officials, private sector executives, civil society professionals, artists and students to engage in serious debates on current key issues. The work sessions during the Forum will be presented in a variety of formats: panel sessions with invited speakers, workshops, round table discussions and project presentations.
http://www.imc-cim.org/index.php?option=com_content&task=view&id=364&Itemid=2
The International Music Council (IMC) invites you to attend its 4th IMC World Forum on Music and 34th General Assembly to be held in Tallinn, Estonia, September 26 - October 1, 2011 under the title “Music and Social Change”. It will be co-organised by the European and Estonian Music Councils in collaboration with the Estonian Academy for Music and Theatre.
IMC presents its World Forum on Music (WFM) as a global knowledge-building platform on music and society in the 21st century, which explores a variety of topics from diverse perspectives: cultural, political and economical. The IMC World Forum on Music is considered one of IMC’s main contributions to setting the stage for the free celebration of music in the world.
The 2011 World Forum on Music will focus on five areas which IMC and EMC considers being of crucial importance to the world of music:
• Music as a tool for social change
• Current challenges and opportunities for music education
• Music distribution and export
• Music and development
• Youth: informal spaces
By seeking synergies across different sectors, this high-level forum will provide exceptional opportunities for scholars, government officials, private sector executives, civil society professionals, artists and students to engage in serious debates on current key issues. The work sessions during the Forum will be presented in a variety of formats: panel sessions with invited speakers, workshops, round table discussions and project presentations.
Thursday 28 April 2011
Symposium on Music – Conflict – Transformation
9th and 10th May 2011, SocArts, University of Exeter, UK
In the past decade there has been a growing interest in music and social conflict both inside and outside academia. Interdisciplinary research from music sociologists, ethnomusicologists, music psychologists and musicologists has focused on music’s dual use, both as a resource for conflict transformation and as a medium that can be used to incite conflict and channel violence. This research has also dovetailed with practical initiatives by non-governmental organisations (NGOs), local communities, academics and individuals attempting to utilise music to avoid or transform conflicts.
Together these activities are slowly improving our understanding of the interesting, and at times pivotal, functions of music related activities in conflict and post-conflict scenarios. However, it is clear that there is still a great deal of conceptual work to be done in this field if we are to understand the processes (negative as well as positive) that take place in and around music and conflict/conflict transformation. Similarly, there is as yet little empirical research available to elaborate this conceptual base. The time is ripe for increasing the dialogue between researchers, practitioners/musicians and participants with regards to work in this field.
http://www.socarts.net/index.php/activities/76-socarts-symposium-on-music-and-change
Thank you to Arild Bergh for this information! Sounds fantastic!
In the past decade there has been a growing interest in music and social conflict both inside and outside academia. Interdisciplinary research from music sociologists, ethnomusicologists, music psychologists and musicologists has focused on music’s dual use, both as a resource for conflict transformation and as a medium that can be used to incite conflict and channel violence. This research has also dovetailed with practical initiatives by non-governmental organisations (NGOs), local communities, academics and individuals attempting to utilise music to avoid or transform conflicts.
Together these activities are slowly improving our understanding of the interesting, and at times pivotal, functions of music related activities in conflict and post-conflict scenarios. However, it is clear that there is still a great deal of conceptual work to be done in this field if we are to understand the processes (negative as well as positive) that take place in and around music and conflict/conflict transformation. Similarly, there is as yet little empirical research available to elaborate this conceptual base. The time is ripe for increasing the dialogue between researchers, practitioners/musicians and participants with regards to work in this field.
http://www.socarts.net/index.php/activities/76-socarts-symposium-on-music-and-change
Thank you to Arild Bergh for this information! Sounds fantastic!
Wednesday 25 November 2009
Call for Papers
Community Arts in Higher Education: Inclusive practice, International perspectives
Thursday 15th April 2010
Centre for Research into the Arts as Wellbeing,
University of Winchester, Hampshire, England
Distinguished international scholars and practitioners will provide keynote addresses including Phil Mullen (Ireland/UK), World Council Member ISME and Kathryn Deane (Chief Executive Sound Sense).
CALL FOR PAPERS/POSTERS/WORKSHOPS/and Performances
The discussion of Community Arts as a discipline in Higher Education continues to develop. The aim of the Conference is to contribute to the developing discussion on the study of community arts in higher education including both undergraduate and post-graduate levels.
We aim to bring together the international community breaking new ground in the teaching of Community Arts in Higher Education. It will consider models of practice, especially in relation to socially inclusive and emancipatory practices in both pedagogy and wider aspects of delivery and engagement.
The conference will seek to explore creative ways of enhancing the teaching of community arts at higher education level, that highlight the transformatory and life affirming practices of community arts practice.
Please contact Communitymusicservice@gmail.com for more information!
Thursday 15th April 2010
Centre for Research into the Arts as Wellbeing,
University of Winchester, Hampshire, England
Distinguished international scholars and practitioners will provide keynote addresses including Phil Mullen (Ireland/UK), World Council Member ISME and Kathryn Deane (Chief Executive Sound Sense).
CALL FOR PAPERS/POSTERS/WORKSHOPS/and Performances
The discussion of Community Arts as a discipline in Higher Education continues to develop. The aim of the Conference is to contribute to the developing discussion on the study of community arts in higher education including both undergraduate and post-graduate levels.
We aim to bring together the international community breaking new ground in the teaching of Community Arts in Higher Education. It will consider models of practice, especially in relation to socially inclusive and emancipatory practices in both pedagogy and wider aspects of delivery and engagement.
The conference will seek to explore creative ways of enhancing the teaching of community arts at higher education level, that highlight the transformatory and life affirming practices of community arts practice.
Please contact Communitymusicservice@gmail.com for more information!
Sunday 14 December 2008
MusicaTransforma Summary
MusicaTransforma developed out of a research project begun by Rhythmix in January 2008 to map community music in Europe. Despite the quantity of successful and inspiring music projects taking place in Europe, in many countries the profile of these projects both nationally and at European level is relatively low. MusicaTransforma’s aim was to provide a space for the European organisations and individuals developing community music to meet others, discuss important issues, create and share projects, and develop strategies for profile-raising.
The idea for MusicaTransforma was based on the concept that an increase in support and activity for community music in a number of different areas, including exchanges, networks and training, would raise the profile of this type of work, creating jobs for musicians and music-making opportunities for many more people. A successful grant application to Barcelona City Council’s Institut de Cultura and the Universitat de Barcelona’s interest in hosting the event are what made the idea a reality.
From the very beginning, the reaction from the organisations and individuals that we contacted about MusicaTranforma was extremely positive, and by the time the registration for the event was over, we had more than sixty delegates from more than seven European countries.
The day began with a look at the European funding possibilities for community music projects, with an explanation of the EU Culture Programme from Augusto Paramio Nieto followed by a presentation from Jordi Balta from the Interarts Foundation about alternative EU funds from other policy areas, such as education, youth and social inclusion, which could be applied to community music activity.
The European partnership working session featured three different projects: a presentation from Catherine Pestano, who coordinated an award-winning community music project in Serbia conducted by an English-Serbian team in an urban and a rural community in a post-conflict context in Serbia. Andrea Gancs from Hungary provided an insight into the musical context in Hungary, and presented the two EU-funded programmes which she has been involved in, in partnership with UK organisations CM and Serious. Agia Luna from Artixoc, a artistic youth exchange organisation based in Barcelona, presented an in-depth explanation of the key needs and challenges of European partnership working.
While the European partnership working debate continued, the practical workshops took place. The workshops were a fantastic reflection of the quality and variety of community musicians in Europe. There were three workshops on offer, one based on North African percussion led by Mimoun Himmit, an experienced and inspirational workshop leader based in Rotterdam, Holland; Ollie Finn and Max Wheeler from Rhythmix offered “instant rap” and other elements of urban music workshops; and the third workshop was a collaboration between Robert Farkas (Hungary) and Llorenç Peris (Spain) who came together exclusively for MusicaTransforma using a well-known gypsy tune and LIVE computer software.
The afternoon began with a performance from Gota Doble, a group that grew out of the Barcelona-based cultural project DJs Contra la Fam. Latin-inspired beats accompanied by very political content. The delegates were then given the opportunity to network amongst themselves in the marketplace, a practical session for delegates to have a chance to meet like-minded organisations and individuals, approach potential project partners and propose project ideas and exchanges.
The last part of the day was split into parallel discussion sessions, one looking at community musicians and training from a UK perspective, with a presentation from MusicLeader, and the other focusing on the possibility of a network or networks for community music in Europe, led by Ben Higham from Community Music East.
The conference was concrete evidence of the interest that community music generates all over Europe, not least in Catalonia where a large number of cultural and social organisations jumped at the chance to meet and share experiences with similar organisations from the UK, Hungary and Holland.
The conference was an extremely positive experience. Events like these are vital for uniting people and projects and strengthening the community music sector Europe-wide. I am sure that real projects will come out of the contacts people made here in Barcelona, and I look forward to hearing about them.
Special thanks to Beverly Whitrick and Karin Perchthaler, Mark Davyd and Mark Randall from Rhythmix, Phil Mullen and all the speakers and delegates that made MusicaTransforma the event that it was.
The idea for MusicaTransforma was based on the concept that an increase in support and activity for community music in a number of different areas, including exchanges, networks and training, would raise the profile of this type of work, creating jobs for musicians and music-making opportunities for many more people. A successful grant application to Barcelona City Council’s Institut de Cultura and the Universitat de Barcelona’s interest in hosting the event are what made the idea a reality.
From the very beginning, the reaction from the organisations and individuals that we contacted about MusicaTranforma was extremely positive, and by the time the registration for the event was over, we had more than sixty delegates from more than seven European countries.
The day began with a look at the European funding possibilities for community music projects, with an explanation of the EU Culture Programme from Augusto Paramio Nieto followed by a presentation from Jordi Balta from the Interarts Foundation about alternative EU funds from other policy areas, such as education, youth and social inclusion, which could be applied to community music activity.
The European partnership working session featured three different projects: a presentation from Catherine Pestano, who coordinated an award-winning community music project in Serbia conducted by an English-Serbian team in an urban and a rural community in a post-conflict context in Serbia. Andrea Gancs from Hungary provided an insight into the musical context in Hungary, and presented the two EU-funded programmes which she has been involved in, in partnership with UK organisations CM and Serious. Agia Luna from Artixoc, a artistic youth exchange organisation based in Barcelona, presented an in-depth explanation of the key needs and challenges of European partnership working.
While the European partnership working debate continued, the practical workshops took place. The workshops were a fantastic reflection of the quality and variety of community musicians in Europe. There were three workshops on offer, one based on North African percussion led by Mimoun Himmit, an experienced and inspirational workshop leader based in Rotterdam, Holland; Ollie Finn and Max Wheeler from Rhythmix offered “instant rap” and other elements of urban music workshops; and the third workshop was a collaboration between Robert Farkas (Hungary) and Llorenç Peris (Spain) who came together exclusively for MusicaTransforma using a well-known gypsy tune and LIVE computer software.
The afternoon began with a performance from Gota Doble, a group that grew out of the Barcelona-based cultural project DJs Contra la Fam. Latin-inspired beats accompanied by very political content. The delegates were then given the opportunity to network amongst themselves in the marketplace, a practical session for delegates to have a chance to meet like-minded organisations and individuals, approach potential project partners and propose project ideas and exchanges.
The last part of the day was split into parallel discussion sessions, one looking at community musicians and training from a UK perspective, with a presentation from MusicLeader, and the other focusing on the possibility of a network or networks for community music in Europe, led by Ben Higham from Community Music East.
The conference was concrete evidence of the interest that community music generates all over Europe, not least in Catalonia where a large number of cultural and social organisations jumped at the chance to meet and share experiences with similar organisations from the UK, Hungary and Holland.
The conference was an extremely positive experience. Events like these are vital for uniting people and projects and strengthening the community music sector Europe-wide. I am sure that real projects will come out of the contacts people made here in Barcelona, and I look forward to hearing about them.
Special thanks to Beverly Whitrick and Karin Perchthaler, Mark Davyd and Mark Randall from Rhythmix, Phil Mullen and all the speakers and delegates that made MusicaTransforma the event that it was.
Monday 17 November 2008
Thank you everyone!
The MusicaTransforma was a great success, the speakers were fantastic and the turnout was excellent. We will shortly publish a summary of the day here for those of you that were unable to make it.
Thanks to everyone who made it possible!
The MusicaTransforma Team
Thanks to everyone who made it possible!
The MusicaTransforma Team
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